Abstract
How is it possible that so much money is made in the arts but
not by the ones who create the art? And what can art workers do to organize, demand, or create a more sustainable system of art circulation? In this series, titled Art in Permacrisis, I will discuss some of art workers’ most commonly-heard ideas for a more sustainable art economy – such as basic income or fair practices – and assess their strategic potential. But I will start with a broader reflection. How can we think about the strategic organization of art workers while the world is on fire?
not by the ones who create the art? And what can art workers do to organize, demand, or create a more sustainable system of art circulation? In this series, titled Art in Permacrisis, I will discuss some of art workers’ most commonly-heard ideas for a more sustainable art economy – such as basic income or fair practices – and assess their strategic potential. But I will start with a broader reflection. How can we think about the strategic organization of art workers while the world is on fire?
| Original language | English |
|---|---|
| Pages (from-to) | 27-27 |
| Number of pages | 1 |
| Journal | Arts of the Working Class |
| Volume | (Reset) 35 |
| Publication status | Published - 29 Mar 2025 |
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Dive into the research topics of 'Art in Permacrisis: An Introduction'. Together they form a unique fingerprint.Activities
- 1 Invited talk
-
Art in Permacrisis: Organizing Art Workers in the World Beyond Art
Eckenhaussen, S. (Speaker)
26 Oct 2024Activity: Talk or presentation › Invited talk › Academic
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