TY - JOUR
T1 - Attending sideways, disoriented, in the dark
T2 - A dream that belongs to no-one
AU - Scholts, N.C.M.
AU - Georgelou, Konstantina
PY - 2023
Y1 - 2023
N2 - This co-authored article discusses Asa Horvitz’s three-hours long performance A Dream that Belongs to No-one (2021) as a generative experience of disorientation. The performance takes place as the sun is setting, in a big wooden space with glass windows. The audience is given a booklet with fragments of text that describe experiences of overwhelming streams of images, and sits around the sides of the space. Through a dramaturgy of a sideways moving attention that occurs while the night falls, two entangled experiences of disorientation are proposed: a pause in the dark that allows attention to drift; and a sense of falling into darkness that evokes groundlessness and instability. While in disorientation, the audience is immersed in cycles of dream-images that they are invited to wake up to, and to summon these as a way to reorient themselves.
AB - This co-authored article discusses Asa Horvitz’s three-hours long performance A Dream that Belongs to No-one (2021) as a generative experience of disorientation. The performance takes place as the sun is setting, in a big wooden space with glass windows. The audience is given a booklet with fragments of text that describe experiences of overwhelming streams of images, and sits around the sides of the space. Through a dramaturgy of a sideways moving attention that occurs while the night falls, two entangled experiences of disorientation are proposed: a pause in the dark that allows attention to drift; and a sense of falling into darkness that evokes groundlessness and instability. While in disorientation, the audience is immersed in cycles of dream-images that they are invited to wake up to, and to summon these as a way to reorient themselves.
KW - Attention
KW - Darkness
KW - Pause
KW - Dramaturgy of Disorientation
KW - Dreaming
M3 - Article
SN - 1898-5947
VL - 38
JO - MASKA
JF - MASKA
IS - 213-214
ER -