TY - JOUR
T1 - Regimes of visibility and the affective affordances of Twitter
AU - Geboers, Marloes Annette
AU - Van De Wiele, Chad Thomas
N1 - In Special Issue: Migration, Digital Media, and Emotion.
PY - 2020/9/1
Y1 - 2020/9/1
N2 - Online social networks produce a visuality that reflects the attention economy governing this space. What is seen becomes elevated into prominence by networked publics that ‘perform’ affective expressions within platform affordances. We mapped Twitter images of refugees in two language spaces - English and Arabic. Using automated analysis and qualitative visual analysis, we found similar images circulating both spaces. However, photographs generating higher retweet counts were distinct. This highlights the impact of affective affordances of Twitter — in this case retweeting — on regimes of visibility in disparate spheres. Representations of refugees in the English language space were characterized by personalized, positive imagery, emphasizing solidarity for refugees contributing to their host country or stipulating innocence. Resonating images in the Arabic space were less personalized and depicted a more localized visuality of life in refugee camps, with an emphasis on living conditions in refugee camps and the efforts of aid organizations.
AB - Online social networks produce a visuality that reflects the attention economy governing this space. What is seen becomes elevated into prominence by networked publics that ‘perform’ affective expressions within platform affordances. We mapped Twitter images of refugees in two language spaces - English and Arabic. Using automated analysis and qualitative visual analysis, we found similar images circulating both spaces. However, photographs generating higher retweet counts were distinct. This highlights the impact of affective affordances of Twitter — in this case retweeting — on regimes of visibility in disparate spheres. Representations of refugees in the English language space were characterized by personalized, positive imagery, emphasizing solidarity for refugees contributing to their host country or stipulating innocence. Resonating images in the Arabic space were less personalized and depicted a more localized visuality of life in refugee camps, with an emphasis on living conditions in refugee camps and the efforts of aid organizations.
KW - affective practices
KW - performative emotionality
KW - social media
KW - visual digital methods
U2 - 10.1177/1367877920923676
DO - 10.1177/1367877920923676
M3 - Article
SN - 1460-356X
VL - 23
SP - 745
EP - 765
JO - International Journal of Cultural Studies
JF - International Journal of Cultural Studies
IS - 5
ER -